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SchlägelThe Problem of choosing….

Taking the stick in your hand and trying it out is the best way to get the right stick, unfortunately that isn’t an option here.

However, you don’t need to miss out on individual advice. Send me an email with a description of your ideal sound and as much information on the following as possible:
  • The instrument and situation in which you play
  • Your personal style and technique
  • The acoustic in which you play

In the product description you will find information about the sound of the individual sticks. This is of course just a general description and is based on a normal acoustic
The following table should help with the decision of which stick you would prefer, although please bear in mind the acoustic in which you will be playing.

   

 

Saal Saal2 Graben

 

acoustics
normal:
medium/large concert halls
dry:
Theatres, orchestra-pit, small halls
reverberate:
large halls, churches
symphonic orchestra
  • classic
  • redline
  • vienna 2-5*
  • redline
  • Lohengrin
  • classic 2-8*
  • vienna 3-6*
  • specials (Hartfilz)
  • K2
  • classic
  • vienna 1-4*
  • specials
  • chamber orchestra
  • vienna 1-3*
  • specials
  • classic 1-4*
  • K2 1-2*
  • classic 1-3*
  • vienna 1-4*
  • specials (Hartfilz)
  • vienna 1-3*
  • specials
  • opera
  • redline
  • classic
  • Lohengrin
  • vienna 2-6*
  • redline
  • Lohengrin
  • classic 4-7*
  • vienna 3-6*
  • classic
  • redline 1-4*
  • Lohengrin 1-3*
  • vienna 1-4*
  • specials (Hartfilz)
  • * numbers in this table don´t stand for item numbers, only for order in particular item tables! This recommendations are based on use of Berlin/Dresden- timpani with Kalfo-Supertimpani heads.
         
     
     
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